![]() ![]() The story of Wheel of Time is a fabric of profoundly difficult and personal decisions. Capturing that particular lighting was tough.” If the idea was to get the moment after the action, then the world surrounding the figure and the axe had to convey the emotion as much or more than anything else. I loved the idea of trying as best as I could to convey that silence and chill as a kind of indictment on the bloody events that precede this scene. According to artist Greg Ruth, “There’s a time in winter here in New England where it’s early in the woods and the canopy of trees keeps the snow from getting too high on the ground, but it’s cold as hell and so deathly quiet. Striking the right emotional chord through mood and atmosphere would be no easy task. The point was to show what Perrin, in this character-defining moment, was leaving behind. Instead, we decided to depict the minutes just after. Attempts to show the action came across a bit cartoony. After engaging in a despicable act he, in a fit of justifiable rage, finally chooses to throw away his axe of war. With Crossroads, we wanted to show Perrin at his breaking point. ![]()
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